If you don’t have a tripod, you can try handheld HDR – just try to brace your arm against a support to minimize any camera movement.
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These three photos are what Photomatix Pro then uses to create the HDR image.įor best results, mount the S90 on a tripod to prevent any movement as the three shots are being taken.
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This ensures that the camera takes 3 shots: one properly exposed, one underexposed by 2 stops, and one overexposed by 2 stops. While still in that setting, press the DISP button and turn the dial to select +/- 2 stops. Chose the middle option – “Takes 3 different shots at different exposures”. Turn on Auto Exposure Bracketing (AEB mode – see p.The S90 does a superb job of processing in-camera, so just choose Large JPEG when you’re getting started.) (I find the Large JPEGs are the easiest to post-process while purists say to shoot in RAW. Select Large format JPEG or RAW (see p.
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You want a fixed ISO so that the camera isn’t trying to adjust ISO between shots. By shooting in Av, you ensure that the camera isn’t adjusting the aperture (which could cause focus issues) but, rather, only shutter speed.
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I adjusted the toning a bit, added a vignette – but was still unhappy with the result. I wanted something that was non-traditional – a different kind of perspective from this iconic location.įirst, I used Nik’s Silver Efex 2 to convert the image to black and white. But, the rest of the image was very busy – a cluttered mess. Photomatix Pro did an amazing job of popping the details up out of the shadow area – including beautiful Bridalveil Fall. I wondered what I might be able to accomplish with post-processing and first did a single-image tone mapped HDR of the original RAW file taken with my Canon 5D Mark II. In the original image (see below), the shadow area in the lower right quadrant is almost completely darkened. I chose this one taken in the late afternoon – because of the expansive view – and also because of how the sun shadow swept across the valley from upper right to lower left. As I was relaxing this Labor Day, I went looking through those photos to see if one might have potential. This January we spent a few days in Yosemite – and, naturally, we stopped at Tunnel View to snap a photo or two. And photographers love shooting the valley view from this site. When the valley opens up in front of you as you emerge from the tunnel, it’s stunning. We’ve all seen photographs of this particular vantage point – Tunnel View as you enter Yosemite Valley on Wawona Road.